GARBERVILLE

Jun 01

[video]

unlikelywords: Image pic #54 (by Souichi Furusho)

unlikelywords:

Image pic #54 (by Souichi Furusho)

(Source: semperoderis, via torncurtain)

May 30

gifmovie: Hellish early Earthrise from the Moon.

gifmovie:

Hellish early Earthrise from the Moon.

teachertots: via All That Is Interesting

teachertots:

via All That Is Interesting

(via wowgreat)

jesuisperdu: lawrence schiller

jesuisperdu:

lawrence schiller

May 28

truefoes: Stop Making Sense (dir. Jonathan Demme — 1984)

truefoes:

Stop Making Sense (dir. Jonathan Demme — 1984)

(via strangewood)

May 27

Golden Gate Bridge cables, pre-bridge, 1935.

Golden Gate Bridge cables, pre-bridge, 1935.

(Source: redvelvetteacake)

May 26

(Source: vamosvideo)

(Source: tetradia)

May 25

fckyeaharthistory: Giovanni Paolo Panini - Ancient Rome, 1757. Oil on canvas 

fckyeaharthistory:

Giovanni Paolo Panini - Ancient Rome, 1757. Oil on canvas 

moviesludge: The Enterprise was no match for dog

moviesludge:

The Enterprise was no match for dog

(via vamosvideo)

criterioncorner: WHEN KUROSAWA MET KIAROSTAMI (via swintons) Akira Kurosawa had written a favorable commentary in the publicity leaflet that accompanies the public screening in Tokyo of Abbas Kiarostami’s Where is the Friend’s Home?, And Life Goes On:  “I believe the films of Iranian filmmaker Kiarostami are extraordinary. Words cannot relate my feelings. I suggest you his films; and then you will see what I mean. Satyajit Ray passed away and I got very upset. But having watched Kiarostami’s films, I thank god because now we have a good substitute for him. Recently, in the face of the decline of cinema in developed countries, nations with little experience in the area of filmmaking have produced valuable works; and I have to think about this more seriously after seeing Kiarostami’s films.” An unprecedented comment by Kurosawa who seldom talks about other director’s films. In fact, during the past 43 years he has only written about the works of Andrei Tarkovsky, John Cassavetes, Ray and now Kiarostami.

criterioncorner:

WHEN KUROSAWA MET KIAROSTAMI

(via swintons)

Akira Kurosawa had written a favorable commentary in the publicity leaflet that accompanies the public screening in Tokyo of Abbas Kiarostami’s Where is the Friend’s Home?, And Life Goes On: 

“I believe the films of Iranian filmmaker Kiarostami are extraordinary. Words cannot relate my feelings. I suggest you his films; and then you will see what I mean. Satyajit Ray passed away and I got very upset. But having watched Kiarostami’s films, I thank god because now we have a good substitute for him. Recently, in the face of the decline of cinema in developed countries, nations with little experience in the area of filmmaking have produced valuable works; and I have to think about this more seriously after seeing Kiarostami’s films.”

An unprecedented comment by Kurosawa who seldom talks about other director’s films. In fact, during the past 43 years he has only written about the works of Andrei Tarkovsky, John Cassavetes, Ray and now Kiarostami.

(via bbook)